Sonates pour violon

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Effervescence, that is indeed the key word for the Allegro vivace that opens the Sonata in F major, piano like a heart racing, violin singing breathlessly, all of Mendelssohn's sunny essence is enclosed in these pages like in the lively silver piano of Cédric Tiberghien and the passionate bow of Alina Ibragimova. What a duo! After their impressive complete Mozart journey for the same label, here they explore every note that Mendelssohn wrote for their two instruments together. This adds a Third Sonata and the fragment of a Fourth, a torso of 367 measures displaying many promises that remained suspended from its magical, pianissimo beginning, imposing a twilight atmosphere where Alina Ibragimova's fluted bow becomes a nightingale on the silent wave of the piano. Marvelous! Just like the youthful Sonata, also in F major like the grand one, playful, impertinent, talkative, capricious, which the two friends enjoy enlivening with sharp exchanges and delightful interactions. A perfect album, which settles the question of the discography, not so sought after (certainly much less than that of the Cello Sonatas), of a suddenly significantly expanded corpus, but you will first start with the two great Sonatas identified, reinterpreted in such a unique way by a duo that should delve into Grieg's Sonatas, whose fertile imagination eagerly awaits them. (Jean-Charles Hoffelé)

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