Brahms: Klavierstücke (Op. 116-119)

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In 1892, Brahms returned to the piano to deliver his final pages for the instrument: four collections with a stripped-down, almost ascetic writing style, before the Vier Gesange that would close his work. "Playing a late Brahms intermezzo is like walking in the snow: the slightest trace remains." Fabrizio Chiovetta embraces these songs of departure without hesitation, with his characteristic elegance.

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