After 12 years of instrumental albums (the Solo Pianos, chamber music, collaborative albums with Boys Noize, Jarvis Cocker and Plastikman, and even a best-selling Christmas Opus), Chilly Gonzales has a lot to say. The notebooks that had remained empty since the orchestral rap opus "The Unspeakable Chilly Gonzales" in 2011 began to fill up in early 2022, after ending a long decade of psychoanalysis. A coincidence? Not really.
Behind the wordplay and name-dropping (Ron Jeremy, Marie Kondo, Genghis Khan and Phillip Glass, to name just a few), the songs on the new album Gonzo reveal a constant tension between persuasion and confession, illusion and self-awareness, and finally gratitude. The tension between creativity and commerce also continues to be an exploration throughout Gonzo's career. But is it really a rap album? Instrumental tracks such as the Stravinsky-esque "Fidelio" or the tearful "Eau de Cologne" will remind listeners of Gonzo's extravagant persona as a "musical genius," as they meditate on the words and rhymes of the rap tracks.
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