Miserere Mei Deus Sacred Motets

Description

One of the most moving works in the Renaissance repertoire "Mourning, weeping, remembering, this is the new affair of the entire late 15th century," writes Alice Tacaille (...) "By mourning the musician, the poet gains expressive intimacy (...), a praise of art that places the poet of the lament at the origin of the immortality of the memory that will be carried for the artist." Such is the case with the famous Déploration sur la mort d'Ockeghem which, alongside Nymphes, nappées, forms superb musical epitaphs to the credit of the great Josquin; Daniel Reuss and the singers of Cappella Amsterdam inaugurate with this program, blending secular tributes and sacred polyphonies, a masterful trilogy dedicated to the masters of the Franco-Flemish Renaissance.