Entering the world of Biscay Bay means bringing opposites closer together, moving away from the obvious, forgetting the distinctions between body and mind, machine and instrument, the controlled and the spontaneous. Here everything crosses paths and recomposes itself, the organic and the technological, the rhythmic and the contemplative, Europe and Mexico, Steve Reich and Aphex Twin. Nothing opposes, everything blends and adds up. The intangible becomes solid, like a white sheet that would take shape, heavy and light at the same time. A world unto itself. Ghosts come to life, the invisible becomes visible and the tangible dissolves. Entering the world of Biscay Bay means entering the dance. Everything is a matter of rhythm, breath, movement. That of a woman alone in a park who launches herself and takes up space. That of a hand that comes to life like a strange animal, then an arm, a foot, followed by a headless body that, suddenly, splits in two to become double and give birth to a couple that brushes past each other, moves away, gets lost and finds each other again. Entering the world of Biscay Bay means forgetting what you think you know and starting all over again.
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