Toccatas, fugues and freedom! With this volume 5, Benjamin Alard concludes the trilogy dedicated to the Weimar period. We arrive at these toccatas, preludes, fantasies, and fugues that demonstrate how masterfully Bach has assimilated French and Italian influences to liberate himself... in complete freedom. An unexpected instrument makes its entrance in this complete set built on the most beautiful historical keyboards: the clavichord, perfectly at home alongside the organ and the harpsichord.
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