When I learned that I was going to compose the soundtrack for Dario Argento's next film, I immediately thought of the music of Goblin and Claudio Simonetti, who composed close to a dozen films under the direction of the Italian maestro. I obviously had the bells of Suspiria in mind, the introductory sequence of Profondo Rosso, with its Gothic organ, or obviously the electronic sounds of Tenebre. I composed an entirely electronic soundtrack, mixing dark themes and sequences with more pop music. As Goblin did with funk and disco, I added a more personal touch with more contemporary sounds from electro and techno. For this soundtrack, I wanted to follow in the tradition of classic Giallo while trying to bring a personal and modern vision to it. Arnaud Rebotini
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