Arias pour Domenico Gizzi - musique pour un celebre castrat de la Rome

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The latest recording by Antonio Florio for Glossa, once again dedicated to a famous Italian singer of the baroque era, allows us to admire once more the thousand and one vocal qualities of Roberta Invernizzi. This dream interpreter wonderfully evokes the enchantment of the audience listening to the virtuosic arias, recorded here, in the voice of an eminent singer during the reopening of the Roman theaters in 1718. "Arias for Domenico Gizzi" traces the spectacular career of an artist whose importance depends not only on his voice but on his ability to be engaged in operas serving the politics of powerful patrons at the dawn of the 18th century, from Christina of Sweden and James Stuart to the prestigious Roman cardinals. The arias of Domenico Gizzi chosen by Roberta Invernizzi, dating from the glory of the castrato and typically representing male heroes, come from operas by Alessandro Scarlatti, Leonardo Vinci, Domenico Sarro, Francesco Feo, Giovanni Battista Costanzi, Giovanni Bononcini, and Nicola Porpora. Antonio Florio conducts the enthusiastic Turchini with his eternal brilliance, while the text by musicologist Giulia Veneziano explores a territory, still little known, of the history of singing.

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  1. Prima l'vorace fulmine
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  3. Crude parche
  4. Sinfonia
  5. O a morire o a goder
  6. Per due pupille belle
  7. Amore inganna
  8. Barbari siete, o dei
  9. Sinfonia
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