Concerti per molti stromenti

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On could say that Vivaldi wrote the same concerto 300 times. But can we imagine saying the same about Telemann? On one hand, the examples recorded here present some of the most extraordinary instrumental combinations - four trumpets, three horns, two flutes and chalcedony (a type of lute), even mandolin, harp, and dulcimer; on the other hand, they testify to the most incredible stylistic variety, from Vivaldian exuberance to the elegance of the dances of the Ancien Régime via learned German counterpoint. If you have ever wondered about the origins of the Brandenburg Concertos, one piece of advice: explore Telemann's concertos...

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