Aeons Black, released in 2012, is considered one of the most significant death metal albums of the 21st century, with a long wait for the follow-up. In 2021, the Swedes of Aeon finally return with their successor, God Ends Here, and in doing so, they raise the stakes with a record that is bigger, harder, and louder in every way. A darker, even more epic collection, everything an Aeon fan could desire, with some surprises along the way, pushing the genre in new directions and once again asserting that they are one of the most important bands in extreme metal. The main reason for the gap between the two albums is the search for the right drummer; after several have passed through their ranks in the meantime, Dark Funeral/Imperium drummer Janne Jaloma is now handling the kit. Also making his debut is Tony Östman, who joined the band in 2013 during the Aeons Black tour cycle. Guitarist Daniel Dlimi, who left Aeon in 2013, also returned to the band's ranks in 2019, which inspired guitarist Zeb Nilsson to write.
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