Barely two years separate the monumental Sonata in G (October 1826) from its sister in C minor (September 1828), the first of a trilogy composed on the brink of death, which would take him a few weeks later. Two years, a whole world! Rarely presented together, these two masterpieces by Schubert lie at the heart of the repertoire, but also of the aesthetic questions of Adam Laloum, who here signs his first recording for harmonia mundi.
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