"Moving from free and open jazz, JAMES BRANDON LEWIS here takes an interest in the renowned Black American botanist and agronomist, GEORGE WASHINGTON CARVER, who was also a musician, painter, and philosopher. 'Intense, feverish, and lyrical, a composition haunted by ORNETTE COLEMAN and ALBERT AYLER from this tenor saxophonist, one of the most important voices in contemporary jazz. We love it.' (4* Jazz Magazine, July 2021)"
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