
Originalee Konitz
Lee Konitz
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Artist profile Β· 04/07/2026
About
Lee Konitz is recognized for his clear, fluid alto sax sound distinct from bebop icons. Early in his career he played in Stan Kenton's big band and with jazz innovators including Gerry Mulligan and Miles Davis. Konitz participated in the Birth of the Cool sessions marking a key moment in jazz history. His extensive vinyl discography spans bebop, cool jazz, free jazz, and post-bop, reflecting multiple collaborations including Warne Marsh and Jimmy Giuffre.
His albums include studio and live recordings from the 1950s through the 2010s, with notable labels like Atlantic, Verve, Blue Note, and Milestone releasing his work. Konitz remained dynamically active in jazz for over 70 years until his 2020 passing in New York City.
Discography
Studio albums, live records, compilations and radio recordings. Each album groups all its editions.

Lee Konitz
Lee Konitz
Lee Konitz
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Lee Konitz
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Lee Konitz
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Lee Konitz
Lee Konitz
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Listen
I Remember You
Foolin' MyselfThe Real Lee Konitz Β· 1957
Someone to Watch Over Me
Two Not One
Donna Lee
Intuition
All of MeInside Hi-Fi Β· 1957
I Can't Get StartedEssentials
Our picks, approved by the editors.
#1 Β· 1957A classic 1957 mono album capturing Konitz's cool jazz interaction with Gerry Mulligan's quartet, featuring 10 tracks of bop and west coast stylings.
#2 Β· 1957This 1957 Atlantic mono LP highlights Konitzβs distinct alto approach across 8 tracks, blending bop and cool jazz idioms.
#3 Β· 1957A key 1957 mono album with 8 tracks emphasizing Konitzβs cool jazz phrasing and lyrical alto saxophone tone.
Go further
Artists who share part of Lee Konitz's musical DNA.
B-side
Studio secrets, tour stories and B-sides worth the whole album.
The 1982 live LP from MPS Records documents a notable Berlin Jazz Days performance featuring eight tracks including "Invitation" and "Noblesse Oblige" lasting about 45 minutes.
This 1957 World Pacific stereo LP captures Konitz alongside Gerry Mulligan playing 10 jazz standards, including "Lady Be Good" and "All The Things You Are", recorded in the US.
Released in 1957 on Atlantic, this mono LP features eight tracks including "Pennies In Minor" and "You Go To My Head", showcasing Konitz's signature alto sax artistry.
"When I start a chorus and discover I've already played it, I stop immediately."β Lee Konitz
Konitz was the first alto saxophonist of his era to break away from bebop's Charlie Parker influence, pioneering a more fluid, airy cool jazz style.
FAQ
The most common questions about pressings, reissues and limited editions.
Lee Konitz was an American jazz alto saxophonist known for bebop and cool jazz styles with a clear, fluid tone.
Essential records include 'Lee Konitz Plays With The Gerry Mulligan Quartet' (1957), 'The Real Lee Konitz' (1957), and 'Inside Hi-Fi' (1957), all notable mono LPs.
Key labels include Atlantic, World Pacific, Blue Note, Verve, and Milestone for various eras of his work.
Most early releases are mono LPs, with some later reissues and live recordings on various vinyl formats.
Yes, 'Live At The Berlin Jazz Days 1980' released by MPS Records in 1982 is a key live vinyl album documenting his performance in Berlin.
Original and reissue pressings like 'Live At The Berlin Jazz Days 1980' on MPS Records are available in France with catalog MPS 15577.
Later works on labels such as Candid include free jazz styles, expanding beyond his cool jazz origins.
Konitz pioneered a distinct alto sax style influencing cool jazz and artists like Art Pepper and Paul Desmond.
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