Julian Cannonball Adderley
Cannonball Adderley
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Artist profile · 04/07/2026
About
Julian Cannonball Adderley rose to prominence after 1955, originating from Florida where he mastered multiple instruments including the alto saxophone. He played a pivotal role in soul jazz during the 1960s with recordings under his own name and as a key collaborator with Miles Davis on landmark albums such as Milestones and Kind of Blue. Throughout the 1960s, his ensembles included notable pianists and bassists, delivering successful tracks like "This Here" and "Mercy, Mercy, Mercy." His discography includes studio and live albums across labels like Blue Note, Riverside, and Capitol, with recent vinyl pressings tracked in real-time here.
Adderley's style evolved towards funk- and soul-infused blues by the late 1960s, marking his musical legacy before his death in 1975 due to com…
Discography
Studio albums, live records, compilations and radio recordings. Each album groups all its editions.
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Cannonball Adderley
From$22.48
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Cannonball Adderley
Cannonball Adderley
From$23.36
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Listen
Autumn LeavesSomethin' Else · 1958
Dancing in the DarkSomethin' Else · 1958
Love for SaleSomethin' Else · 1958
Mercy, Mercy, Mercy
One for Daddy-OSomethin' Else · 1958
Somethin' ElseSomethin' Else · 1958
Never Will I Marry
One for Daddy-O - RemasteredEssentials
Our picks, approved by the editors.
#1 · 1958Recorded with Miles Davis, this 5-track album on Blue Note is a hard bop classic featuring lengthy explorations like the 10:58 opener "Autumn Leaves." Offers a richly warm alto sax sound.
#2 · 1962A 1962 Riverside LP with Bill Evans on piano, containing 8 tracks including "Waltz For Debby" and title track "Know What I Mean?" Well-represented in pressing variants from mono to stereo.
#3 · 1959From 1959 on Mercury, this album includes 7 tracks of soul jazz and bop variations, such as "Our Delight" and "Straight, No Chaser," in original mono and stereo pressings.
Go further
Artists who share part of Cannonball Adderley's musical DNA.
B-side
Studio secrets, tour stories and B-sides worth the whole album.
Although a bandleader, Adderley invited Miles Davis to play trumpet on Somethin' Else (1958), one of the rare records where Miles appears as a sideman, alongside Hank Jones and Art Blakey.
In 1962, Cannonball Adderley recorded the album Know What I Mean? in collaboration with pianist Bill Evans. It features 8 tracks including "Waltz For Debby" and the title piece, marking a key Riverside Records release in mono and stereo.
Released in 2018 as a limited edition, this live double LP captures Adderley's post bop quintet performances with 16 tracks recorded in Seattle between 1966 and 1967, available in numbered deluxe vinyl.
Cannonball's enormous tone carries soul and melody with warmth and rhythmic drive.— Jazz critics summary
The original Blue Note pressing of Somethin' Else (1958) on catalog BLP 1595 remains highly sought with original US mono editions priced between €43 and €87 on vinyl markets.
The 1969 live recording in Bordeaux features Adderley’s quintet performing with dynamic energy. The album is available on vinyl as recent pressings with monitored price around €20 on specialized sites.
FAQ
The most common questions about pressings, reissues and limited editions.
He was an American jazz alto and soprano saxophonist active mainly between the 1950s and 1970s, known for soul jazz and bebop styles.
Key records include the 1958 album Somethin' Else, 1962's Know What I Mean?, and 1959's Cannonball's Sharpshooters, available in original and reissued vinyl pressings.
Major labels include Blue Note, Riverside, Mercury, and Capitol Records with many pressings from mono and stereo vinyl formats across decades.
Original Blue Note pressings of Somethin' Else can reach prices from €40 to €87 depending on condition, with other originals ranging lower.
Releases like Swingin' In Seattle (2018), Burnin' In Bordeaux (1969), and At The Lighthouse offer live performances captured on vinyl.
Yes, he recorded with Miles Davis, Bill Evans, John Coltrane, and others, contributing to some of jazz's landmark sessions.
Albums like Burnin' In Bordeaux (1969 live) and Poppin in Paris (live 1972) are noted on French vinyl platforms and collectible catalogs.
His music incorporated blues, funk, and soul elements, moving towards a more commercial jazz fusion sound before his death in 1975.
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