In La Caravane Passe, the point of view is always that of the traveler. For nearly twenty years, Toma Feterman has been leading his group - and all of us afterwards - on a double journey through the music of the East and South of Europe, then on international tours that stop wherever spectators dream of leaving. In French, English, Spanish, Catalan (the homeland of Llugs), and a few other languages, La Caravane Passe gallops along the roads of sharing. The group invites the gnawa UFO Mehdi Nassouli, flamenco singer Paloma Pradal, the Balkan-suburban quartet Aälma Dili, a Breton accordionist, a Serbian trumpeter, a Moldovan cymbalist, a Malian korista, a Catalan tenora player - an International of the nomadic spirit. It is also about "inviting to the party while being aware of the chaos that surrounds us" - halfway between Nietzsche and the village musician. Speaking from the point of view of the traveler also means speaking from the point of view of the migrant, without grand words, without moralizing, and with the furious desire to dance. No explicit political message and that's all the better: La Caravane Passe says, shows, and lives pleasure, vertigo, trance, brotherhood, and freedom. And that is worth all the leaflets.
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