In the wake of "A Man and a Woman," the soundtrack that launched her career in 1966, composer Francis Lai immersed himself delightedly in the rhythms of his era, riding a psychedelic tsunami of supercharged jerks and shakes. High-voltage brass, infernal rhythms, nods to his Carnaby Street cousins: this is a certain idea of French pop, brilliant and colorful, masterfully arranged by the great Christian Gaubert. Do you enjoy listening to Francis Lai? Now, dance with him.
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