Techno Vinyl Records: Classic 12-Inches, Albums and Labels to Know
Why techno vinyl records still matter
Techno vinyl records are not a retro accessory: vinyl is where the genre was born. In mid-1980s Detroit, Juan Atkins, Derrick May and Kevin Saunderson released their tracks as 12-inch singles made for DJs, on their own labels Metroplex, Transmat and KMS. That format still defines techno today: an EP of two to four tracks, cut with wide grooves for loud levels and solid bass, built to be mixed on turntables. This page gathers 12-inches, artist albums and reissues, with offers from several partner stores to compare.
12-inch, album or repress: how to buy techno on vinyl
Start by telling an EP from an album. Many techno albums come as double LPs, sometimes cut at 45 RPM, to keep the dynamics on every side. Original pressings of Detroit and Berlin classics are sought after and expensive on the used market, while official represses from the original label let you play those tracks without overspending. Watch out for unofficial pressings of cult titles: check the label name, the sleeve credits and the seller's description.
- Format: 12-inch single, EP or double LP
- Playback speed: 33 or 45 RPM
- Official repress or unauthorized pressing
- Condition on used copies: DJ records often saw heavy play
Essential techno artists and labels
After the first Detroit wave, techno found a second home in Berlin, where the Tresor club and label released Jeff Mills, Robert Hood and Underground Resistance, under the X-101 name, in the early 1990s. Basic Channel shaped dub techno there, Richie Hawtin pushed a minimal sound with his Minus label, Adam Beyer launched Drumcode in Sweden and Kompakt championed a more melodic approach in Cologne.
The catalog also features newer and more adventurous names, such as Ellen Allien and her BPitch Control label, Chris Liebing, James Holden and Nathan Fake of the Border Community label,