Fragments of ghosts, broken memories, impossible loves: Hayalet Kiriklaris listens like a scrambled diary, between memory and invention, presence and disappearance. The incandescent voice of the Stambouliote singer Hilal Can collides with the raw textures of Tzii, a brilliant electronic composer based in Brussels, to create suspended, fragile, and enchanting music. The spectral interventions of Ruben Tenenbaum's violin, using entirely Ottoman techniques, open a fractured world, still resonating with echoes of past moments — real or imagined — giving this dystopian electronic narrative a reassuring old-fashioned patina.
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