First-class Malian guitar sorcery. Combining Wasulu hunter music, griot praise songs, Senufo pastoral dances, Fulani and Mandingo repertoires with Western psychedelia, blues, and afro-beat, Zani Diabaté’s Super Djata Band was one of Mali’s top orchestras in the 1980s. For their 1981 album, the Bamako-based orchestra discovered the wah-wah pedal and delivered six tracks of mind-blowing guitar.
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