Produced over three years, his new album frenetically showcases his eternal obsessions with degenerate Muzak, repetition combined with rhizomes, noisy guitars, plastic trumpets, tin cans, detuned pianos (which sound like an orchestra), the self-reduction of sound toys, battery-powered organs with built-in distortion, chromatic deviations, genre melody, the driving riff, and the great metaphysical tremolo.
It features, among others, Richard Pinhas and historical figures from the Bel Canto Orquestra, and for the first time in 45 years of production: the presence of a string quartet and a "fairly long piano solo."