Somewhere between the raw edge of Shannon Wright and the sonic delicacy of Coilguns, MØSI unashamedly breaks free from conventional references. The poetry is direct, the voice is raw, the percussion narrative. Produced with Amaury Sauvé (Birds In Row, It It Anita, Lost In Kiev...) Le brouillard jusqu'à la chute concludes their trilogy of failure, which began in 2017 with La mise en scène volontaire de l'échec.