In an environment dominated by a formatted culture, few artists still dare to take a stand. This is not the case for Merzhin, an engaged band, whose every album reflects the society of the moment. With Nomades, their 7th album, Merzhin delivers a formidable humanist plea, advocating for open-mindedness and the mixing of cultures. The return of traditional Breton instruments to accompany the furious guitars of the band, as well as the presence of Kemar from No One Is Innocent on the eponymous song, perfectly illustrate this point. A more introspective and poetic album than the previous ones, Nomades allows Merzhin to rise to new heights with wild riffs.
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