Ludwig van Beethoven (1770-1827): Sonata in E-flat major Op. 27 No. 1, quasi una fantasia, Sonata in C-sharp minor Op. 27 No. 2, quasi una fantasia “Clair de lune”, Sonata in D minor Op. 31 No. 2 “Tempest”. This is the period of the composition of the ballet The Creatures of Prometheus (Op. 43), a performance drawing from mythology, containing elements of an implicit claim for the advent of a Humanity liberated from despotism... The slow and almost mysterious introduction of the ballet's overture creates astonishing harmonic friction between the strings and woodwinds. A curious score of a curious form, in truth, in service of a new language that obsessively drives Ludwig van Beethoven (1770-1827), to the point that he transposes it into all his works. They feed off each other. In fact, piano writing is unthinkable without the other repertoires. And vice versa.
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