In L'Eau et la Peau, the narrative is pop, the subject matter existentialist. Today, Gael no longer wants to hide his words behind others, and liberates his voice as he hadn't done before. So he wrote and composed these new songs alone, which he chose to co-produce with his drummer, Emiliano Turi. With the Zamora label, he also handles the production, in order to be completely autonomous. L’eau et la Peau aims for an alliance of the synthetic, the organic, and shamanic refrains. Among Gael's influences, we hear Karen Dalton, Andy Shauf, Rodrigo Amarante, Barbara, Balthazar, Nick Drake, Feist... but also the prose of Jean Giono ("he gave me back the smile I was gradually losing in Paris"), Nancy Huston, Herman Hesse... not to mention the cinema of Tom Ford, the Coen brothers or Bong Joon-ho. Finally, inscribed within the visual prism of L’Eau et la Peau, are the still lifes of Louise Moillon and Jean-Baptiste Chardin, 17th and 18th century painters whose technique impresses Gael.
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