To the two collections of lieder found after Schubert's death, the publisher Haslinger added a fourteenth lied and gave the whole set the title of Swan Song. A false cycle, but a true dive into the intimacy of the composer's final moments, nostalgic, heartbreaking, desperate, and ultimately serene, it is this journey that the performers trace here, on a miraculous preserved Erard piano from 1859, providing a unique perspective on this masterpiece.
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