« Undoubtedly the most important figure in contemporary music in Brazil » Caetano Veloso Entering with disconcerting ease into afrobeat rhythms, jazzy universes, and trip-hop atmospheres to then reappropriate rap, dub, and samba, Criolo is the great revelation in Brazil in 2011. A very charismatic artist, eminently respected in the hip-hop scene of Sao Paulo, Criolo has also made a name for himself beyond this compartmentalized universe. Visceraally claiming his hip-hop heritage, both musically and as a way of life, he proves to have a remarkably open mind. When Daniel Ganjaman (producer of Nacao Zumbi and member of the Instituto Collective) and Marcelo Cabral offer to produce and arrange his first album, he accepts without hesitation. And when the two visionary producers ask him not to rap but to sing, Criolo does not yet know that his career will take a dizzying trajectory. Surrounded by top-notch musicians, a sort of dream team of the new Paulist generation, it seems that Criolo has settled into the musical landscape for a good while!
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