The Commodore Years - Vinyle Gris

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Before lending her name to a lawn at the Auteuil racecourse and a primary school in Bordeaux, Lady Day ended her career—or nearly did (after two more albums, one posthumous, she would leave this world of pain and abuse the following year)—with this album where Ben Webster on saxophone and other luminaries bowed down before her embodied interpretation of “Cheek To Cheek” or “April In Paris,” in an intimate tone devoted to the increasingly fragile voice of the Lady in satin.

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