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Recorded in 2019 at Saint Joseph's Oratory of Montreal (just before a piano was demolished, no less), these nine pieces lay dormant on his hard drive for years of pandemic, until inspiration finally struck. What emerges feels like witnessing the exploration of the contours of his own interior landscape, each melodic line a delicate negotiation with the subconscious. This is a saxophone album in the strictest sense of the term. The terrain is tactile and unforgiving. On the eponymous track, complex melodies are deconstructed and molded into moving drones, dissonance intertwining where metallic-bright sonorities cut across the senses. “El Khela” refracts into spectral layers of eternal gravity, while “Estado” finds refuge in its own mist, rhythms barely audible, as if faded onto gray walls. These are small moments that morph into cathartic sonic breaths, each revealing new passages through a psychic geography. Beauty lies in the subtle repetitions of the opening track, “Erg,” and in the luminous progressions of “White Dwarf.” Zhang's saxophone becomes a divining rod leading to the unknown, electricity coursing through the album's veins while his breath anchors everything to an ineffable human dimension. The digital manipulation applied to these church recordings does not obscure this human dimension of \"Dras.\" It transforms raw material into something that navigates between outer space and the inner landscape. With the arrival of the final track, \"Mazil,\" Alex Zhang Hungtai lets his saxophone express its full resonance. Deep, guttural expressions open like chasms beneath melodic constellations floating in dense gravity. There is a sense of finality here, even if something in these passages feels immaterial. It is music imbued with an inner dialogue, a wordless spell dancing above the psychic abyss. Tonal sequences disintegrate into narcotic sonorities, an elegant and sharp blade that strikes without drawing blood. This solitary exploration becomes a collective experience. Dras is a map to cross the space between where we are and where we might go.","brand":"Alex Zhang Hungtai","offers":[{"title":"Default Title","offer_id":56713562521944,"sku":null,"price":20260424.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0788362411879.jpg?v=1771011144"},{"product_id":"tempers_delusion_2026_mdl","title":"Delusion","description":"On her new album, Delusion, Tempers (the musical alias of New York-based artist Jasmine Golestaneh) embarks on a non-linear journey of healing and growth. Across ten tracks, she explores emotional turbulence, navigating a fever dream of storms and clearings towards an inner clarity, creating a soundtrack for \"those who love too much, fall in love too hard, and dream too intensely.\" Delusion fluidly navigates genres, from art pop to techno, grunge to metal accents, punctuating the album with epic ballads. Co-produced by Golestaneh and Jorge Elbrecht (Sky Ferreira, Crushed, Wild Nothing), the album features collaborations with visual artists Camille Henrot, Estelle Hoy, and Sandra Mujinga and will be released on April 24, 2026, on Golestaneh's new label, fear of luxury, distributed by Cascine\/Secretly. Tempers follows Services (2015), which included the underground hit “Strange Harvest.” In 2019, Tempers released the more introspective album Private Life, followed by New Meaning in 2022, accompanied by a book of original collages by Golestaneh, inspired by the album. Tempers' interest in the art world has led to unique collaborations, including performances in museums, galleries, and alternative spaces, an EP (Fundamental Fantasy, 2017) born from an artist residency at The Vinyl Factory, and the 2018 release of Junkspace with Rem Koolhaas. A tour is planned for May, with stops in Los Angeles, New York, London, Berlin, and Istanbul. Festival shows will lead to an extensive international headlining tour beginning in September 2026, covering other key markets such as Mexico and major cities in the US and Canada, as well as Paris, Brussels, Amsterdam, Hamburg, Cologne, and Munich.","brand":"Tempers","offers":[{"title":"Default Title","offer_id":56713565274456,"sku":null,"price":20260424.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0619165205887.jpg?v=1771011197"},{"product_id":"honk-gong_dissociate_2026_mdl","title":"Dissociate","description":"The second release from the legendary Celluloid label since its revival after 35 years of silence, Honk Gong is a brand new trip-hop \/ no wave duo built around the wild and dreamlike samples of Paul Ramon (Pleasure Principle, Bryan's Magic Tears) and the contagiously relaxed flow of San Francisco-based producer\/MC Robin Jiro Margerin (Salopecia, There's Ifs, Marginal Tow). Conceived as a chemical castaway's diary, “Dissociate” oscillates between the intelligence of an A Tribe Called Quest track and the aesthetic of a YouTube collage. Recorded by Paul Rannaud (Fat White Family, Insecure Men) and mixed by Maxime Maurel (Departure Kids, Ventre de Biche), this first track kicks off a series of concerts and showcases before the release of a debut album, Eau de Low, announced for spring 2026. “Dissociate” is released in partnership with Agnès b. 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Daughter of Baffo Banfi, long-time keyboardist for the Italian progressive rock band Un Biglietto per l'Inferno, she grew up in a musical world. At six, she began studying singing; later, she dedicated herself to classical guitar and violin, then earned a jazz vocal degree at the Bologna Conservatory, under the guidance of Diana Torto. In 2020, she released her debut album, Lotus, which marked the beginning of an increasingly personal and innovative artistic journey. Since 2022, she has collaborated with producer and artist AKA5HA, with whom she deepened her passion for electronic and experimental music, creating more sophisticated and daring sounds. In the same year, she launched the instrumental electronic project Non si può stare morti per sempre, presented during the eponymous exhibition by artist Ilaria Demo De Lorenzi. Between December 2023 and January 2024, she opened for Daniela Pes's concerts. Simultaneously, she continued working on new songs, and in January 2025, the path to the release of the album La Maccaia began with the release of the first single, \"Piazza Centrale.\" The song, which featured Gaia on the cover of the Fresh Finds playlist, was included in EQUAL and numerous Spotify playlists, as well as in (DI)Versi and several playlists on Amazon Music and Apple Music. This track was followed by the second and final single, \"Seia.\" Both songs were accompanied by lyric video clips, made from archival footage provided by the Ansaldo Foundation in Genoa. The album \"La Maccaia,\" scheduled for release on April 4, 2025, on Trovarobato with the participation of NuovoImaie, has been lauded by the public and media as one of the best Italian albums of 2025. After an immersive listening session presented at Serra Madre in Bologna, the album continued its journey with a tour in Italy and Europe organized by All Things Live and Panico Concerti. The tour allowed Gaia to perform at prestigious festivals such as Trans Musicales de Rennes - where she also recorded a session for the renowned American radio station KEXP - ENSN in Groningen (Netherlands), and the MENT festival in Ljubljana, as well as numerous dates in France, where, as in the rest of Europe, her music is attracting growing interest. Upon her return, she released \"In Luce,\" two new tracks, available in digital and vinyl formats since February 6 on Trovarobato.","brand":"Gaia Banfi","offers":[{"title":"Default Title","offer_id":56721850630488,"sku":null,"price":20260313.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/8016670172437.jpg?v=1771179312"},{"product_id":"serpente_visita-do-fogo_2026_dif","title":"Visita do Fogo","description":"Bruno Silva, aka Serpente, returns with Visita do Fogo – a sharp, stripped-down, and explosive album, a counterpoint to the soaring dream-jazz abstractions of Dias da Aranha. If the latter floated like smoke, this one crackles and snaps like dry wood. With Visita do Fogo, Silva reconnects with the energy of his rhythmic beginnings, adopting a raw and direct approach, closer to the explosion of his live performances than to a studio construction. The album is built on raw materials – drum fragments, percussive jolts, abrasive loops – all manipulated with his characteristic \"detournement\" instinct: micro-cuts, sudden pivots, rhythmic false floors, and the feeling that the track could turn on itself at any moment. Rather than smoothing out rough edges or lingering on atmospheres, Serpente bets everything on urgency. Each track moves through the album with a jerky and energetic physicality, a kind of ritual propulsion that never settles into comfort. Silva's rhythmic language remains entirely his own: tortuous but precise, wild but meticulous, rooted in dance structures but constantly breaking free from them. Visita do Fogo is less a sequel to Dias da Aranha than a gushing explosion in the same night sky – more intense, more scorching, designed to leave indelible images. It captures an artist burning himself up, shedding all superfluous elements, trusting the flame.","brand":"Serpente","offers":[{"title":"Default Title","offer_id":56721850761560,"sku":null,"price":20260410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/5065004291941.jpg?v=1771179314"},{"product_id":"tout-bleu_you-are-tree_2026_dif","title":"You Are Tree","description":"Tout Bleu, a band with a twilight atmosphere, much like the Melquíades gypsies, emblematic figures from *One Hundred Years of Solitude*, returns to the village to share their discoveries with a third album, *You Are Tree*.It takes a certain courage to offer music imbued with joy. After all, this emotion, heavy with all the gravity of the world, burns in the hands of those who dare to seize it and return it to the people.This is the challenge Tout Bleu takes on: music that marks the end of a tunnel, giving them the appearance of seasoned speleologists, with the gift of plunging headfirst into the landscape until they realize their steps make the ground tremble beneath their feet.Led by their captain Simone Aubert, master of melancholy, this album expresses a cry from the heart. Years of touring are starting to take their toll, and the musicians – the team – have agreed to bear their cross through the flames. The resulting emotional impact proves them right. In their utopian mission to re-enchant the world, all blues take their time with urgency, to soothe, one by one, the souls they encounter. --- Gabriel Arellano (takemo) ----.","brand":"Tout Bleu","offers":[{"title":"Default Title","offer_id":56721850990936,"sku":null,"price":20260320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/3770002812327.jpg?v=1771179320"},{"product_id":"panamerican_fly-the-ocean-in-a-silver-plane_2026_dif","title":"Fly The Ocean In A Silver Plane","description":"\"The music on this album is a reflection on journeys, both literal and figurative. Having experienced the birth of my children, the decline and passing of my parents, and my own years of exploration and return home, the journey appears to me as the ideal trope for exploring the mysteries within us. The journey—its impressions, its rituals, its superstitions—its possibilities and its risks—opens onto the landscape of our greatest questions, our fears, and our wonder.Two songs form the backbone of this music. Songs I've always loved, even before I heard them. The first, which gives the album its title, is \"You Belong to Me\" by Jo Stafford. Beyond its undeniable colonial overtones to our modern ears, it is also a magnificent mid-20th-century romance—and an ode to the threat of a shrinking world. The song represents the loneliness and mystery of being alone and being left behind. The singer doesn't ask the beloved to close off their horizons but simply reminds them to return once the journey is over. To set aside the Silver Plane of transition, change, and in-betweenness for the intimacy of solid ground.The second song is Chuck Berry's \"Promised Land.\" It also speaks of a journey, and it effortlessly oscillates between allegory and narrative. The singer travels across segregated America to reach California, the promised land. The song is both an extraordinary story reminiscent of Mark Twain and an American epic worthy of Herman Melville. When the hero finally arrives in California, his first instinct is to call home to reassure the Old World and confirm his safe arrival in the New World.The songs on \"Fly the Ocean in a Silver Plane\" were recorded at my home over the past two years. I played electric guitar, rubber-bridge acoustic guitar, Ableton Live, and an Elektron Digitone synthesizer. My friend Mallory Linnehan, aka Chelsea Bridge, contributed beautiful violin and vocals on a few tracks. We recorded these performances on a summer afternoon in Chicago at Not Not Studio, with the windows open.The album cover is a photo of my mother—a photo I never saw during her lifetime. With her scarf and her expression, both excited and nervous, she seems about to embark on a journey. Finally ready to cross the tarmac and board the Silver Plane.\"","brand":"Pan•American","offers":[{"title":"Default Title","offer_id":56721851384152,"sku":null,"price":20260320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0796441825110.jpg?v=1771179328"},{"product_id":"parra-for-cuva_nacar_2026_som","title":"Nacar","description":"\u003cstrong\u003eSide A :\u003c\/strong\u003e\u003cbr\u003e1. Juri\u003cbr\u003e2. Hang Glow feat. Cile\u003cbr\u003e3. Nacar feat. Nathan Ball\u003cbr\u003e\n\u003cstrong\u003eSide B :\u003c\/strong\u003e\u003cbr\u003e4. Selva Selva\u003cbr\u003e5. Forgive Everyone feat. Vraell\u003cbr\u003e6. Towards Amber\u003cbr\u003e\n\u003cstrong\u003eSide C :\u003c\/strong\u003e\u003cbr\u003e7. Ritual Del Rio\u003cbr\u003e8. Cold Heart feat. Nathan Ball 9. ITIT feat. orbit\u003cbr\u003e\n\u003cstrong\u003eSide D :\u003c\/strong\u003e\u003cbr\u003e10. Huda feat. PALLADIAN, Aukai\u003cbr\u003e11. 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MT Gemini is Franck's long-standing avant-dub project, fusing Jamaican forms such as ska, rocksteady, and dancehall with unconventional electroacoustic practices. Rather than adopting a revivalist approach, the project operates through mutation and fabulation: forgotten elements of classic rocksteady tracks or popular dancehall hits reappear from new angles, reorganized into dense and ritualistic sound environments. 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