{"title":"New Electronics","description":"","products":[{"product_id":"steve-von-till_alone-in-a-world-of-wounds_2025_dif","title":"Alone In A World Of Wounds","description":null,"brand":"Steve von Till","offers":[{"title":"Default Title","offer_id":55307439735128,"sku":null,"price":20260508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0657628450917.jpg?v=1765823309"},{"product_id":"portishead_roseland-nyc-live_2016_uni","title":"Roseland NYC Live","description":"Roseland NYC Live is the first live album by Portishead, released in 1998. The recorded concert took place on July 24, 1997 at the Roseland Ballroom in New York. During this concert the group is accompanied by a 35-piece philharmonic orchestra. 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These twelve tracks show Murphy deep in reflection on heartache and uncertainty.","brand":"Nick Murphy","offers":[{"title":"Default Title","offer_id":56029538419032,"sku":null,"price":20260508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/4099964177053.jpg?v=1769712286"},{"product_id":"vox-populi_sucre-de-pasteque_2026_dif","title":"Sucre De Pasteque","description":"The legendary French industrial pioneers Vox Populi! arrive at Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian descent. He soon recruited his future partner, Mytra, along with her brother Arash Khalatbari, both second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was eclectic, combining elements of musique concrète and early industrial with brass, flutes, and traditional Persian instrumentation. Prodigiously prolific and consistently divergent, Vox Populi! appeared on dozens of cassette compilations during the golden age of the 1980s DIY scene, including influential labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band's sixth album, was released in 1986 on Unlikely Records, Robert Cox's (Rimarimba) cult label. Like most of Vox Populi!'s output, Sucre is a sprawling endeavor, encompassing psychedelic laments, cosmic drones, hypnotic chants, and fractured machine-funk. The atmosphere is subtly dark, but the band's stylistic agnosticism and sense of curiosity prevent the whole from becoming oppressive or heavy. The artwork for Sucre De Pastèque was designed by Eloise Shir-Juen Leigh and features a collage by band member Fr6 Man. 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Lovers of indie music from the 60s to today, High Tone has always skillfully assimilated a varied musical panorama as well as the key technological elements of each decade: wah guitar from the 70s, synths from the 80s, turntablism and samplers from the 90s, and electronic software from the 2000s. Because transcending style to focus solely on music has always been their sole creed. High Tone has often alternated the typology of its records between experimentation and maturation. The first opuses were spontaneous, without a particular quest for mastery, molten, whereas Wave Digger or Out Back were albums of change. This album follows in the continuity of No Border, the second CD of Out Back. The primary theme of Ekphrön is travel. Initially conceived as the geographical journey that permeates their music, the journey has moved from the macrocosm to the microcosm, to focus on the inner experience after which the opus is named. What happens when you close your eyes? 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Beauty lies in the subtle repetitions of the opening track, “Erg,” and in the luminous progressions of “White Dwarf.” Zhang's saxophone becomes a divining rod leading to the unknown, electricity coursing through the album's veins while his breath anchors everything to an ineffable human dimension. The digital manipulation applied to these church recordings does not obscure this human dimension of \"Dras.\" It transforms raw material into something that navigates between outer space and the inner landscape. With the arrival of the final track, \"Mazil,\" Alex Zhang Hungtai lets his saxophone express its full resonance. Deep, guttural expressions open like chasms beneath melodic constellations floating in dense gravity. There is a sense of finality here, even if something in these passages feels immaterial. It is music imbued with an inner dialogue, a wordless spell dancing above the psychic abyss. 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The nervous tension, loss of control, and patient reinterpretation that animate each volume of the Virga series manifest uniquely here. The tracks on Virga III are composed and performed by Cooper, as always, but within the Virga universe, he primarily experiences an unprecedented internal collaboration. As Cooper explains, \"The Virga series offers me the opportunity to reconnect with an older version of myself, but with new understanding. By cultivating greater patience in my interaction with these musical systems and recordings, I timidly embark on a duet with my past self, within a new performance or instrumental layer, only after having thoroughly digested the first, until it evokes new feelings, in the hope of cultivating a form of consciousness and self-discovery with therapeutic aims. A blend of exploratory spirit and pictorial emotional resonance, unfolding gradually.\"","brand":"Eluvium","offers":[{"title":"Default Title","offer_id":56713562653016,"sku":null,"price":20260515.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0656605445212.jpg?v=1771011149"},{"product_id":"g-man-lfo_moonbase-alphatransparent-gloss-foil-sleeve_2026_dif","title":"Moonbase Alpha\/Transparent Gloss Foil Sleeve","description":"Circuitry Electronic makes a spectacular debut on the label with an album that clearly states its intentions: an unparalleled artist in the English electronic music landscape, whose record is a true sonic slap. G-Man, aka Gez Varley, former member of pioneering Sheffield band LFO, signs here his first vinyl album since Avanti, released on Force Inc in 2002, after thirty years of solo career.","brand":"G-Man (LFO","offers":[{"title":"Default Title","offer_id":56721850925400,"sku":null,"price":20260529.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/5051142053008.jpg?v=1771179319"},{"product_id":"baby-charles_i-bet-you-look-good-on-the-dancefloor-time-wasting_2026_mdl","title":"I Bet You Look Good On The Dancefloor + Time Wasting","description":"Record Kicks is proud to present the long-awaited reissue of Baby Charles’ 45, featuring their explosive afro-funk rendition of the Arctic Monkeys' modern classic, \"I Bet You Look Good On The Dancefloor\". Originally released as a limited edition in 2008, this single sold out within weeks and has since become one of the most sought-after funk 45s by DJs and collectors worldwide. This reissue finally makes the track available again, with the deep-soul track \"Time Wasting\" on the B-side. This single is taken from Baby Charles' self-titled debut album, released in 2008 and now considered a milestone in the European funk revival. Alongside Nicole Willis \u0026 The Soul Investigators' Keep Reachin’ Up, Baby Charles' debut album helped define the sound and spirit of the European deep funk scene of the 2000s. Unfortunately, the band broke up in 2011, just before entering the studio to record their highly anticipated second album. Since then, Baby Charles' early recordings have steadily gained popularity, achieving near-mythical status among DJs, collectors, and funk enthusiasts worldwide. 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Soon after, Dessner, then at the peak of his career after producing albums for Taylor Swift, Ed Sheeran, and Gracie Abrams, contacted Morby to offer to produce his next album. Recording began in early 2025 at Aaron's Long Pond Studio in Stuyvesant, New York, and was completed in September of the same year. The album, which features numerous collaborators such as Dessner (who plays several instruments on it), Amelia Meath, Andrew Barr, Justin Vernon, Katie Gavin, Lucinda Williams, Meg Duffy, and many others, is described by Morby as the third installment in a trilogy, following *Sundowner* (2020) and *This Is a Photograph* (2022), which chronicled his time in the Midwest after his return to Kansas City. Dessner's production enhances Morby's recordings without ever drawing attention away from the songs themselves. There's a newfound confidence and clarity in Morby's songwriting and Dessner's production, reminiscent of Tom Petty's classic *Wildflowers* (1994). 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