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Led by the Reznor\/Ross duo, the band combines the sonic aggressiveness of The Downward Spiral with the excellence of Oscar-winning soundtracks (The Social Network). Between immersive live performances and cutting-edge sound design, NIN redefines mainstream music as a total art experience, captivating both rock purists and the cinematic avant-garde.","brand":"Nine Inch Nails","offers":[{"title":"Default Title","offer_id":56870276366680,"sku":null,"price":20260605.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0199957275880.jpg?v=1773089742"},{"product_id":"shye-ben-tzur_ranjha_2026_uni","title":"Ranjha","description":"Ranjha is the new album and collaboration between award-winning composer and Radiohead guitarist Jonny Greenwood, renowned composer and musician Shye Ben Tzur, and Indian ensemble The Rajasthan Express. This album follows their acclaimed 2015 debut, 'Junun'. The album features 11 brand new tracks, blending the group's iconic intercultural sound with a contemporary touch.","brand":"Shye Ben-Tzur","offers":[{"title":"Default Title","offer_id":56870279807320,"sku":null,"price":20260508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/4099964152784.jpg?v=1773169661"},{"product_id":"tamikrest_assikel_2026_mdl","title":"Assikel","description":"For twenty years, Tamikrest's music has illuminated the sounds, culture, and consciousness of the Kel Tamasheq (Tuareg) people of the Sahara. Tamikrest means \"connection\" or \"union\" in Tamasheq, and the band has become one of the most important voices of the Kel Tamasheq, channeling their experiences of exile, loss, and resistance. Their sixth studio album, Assikel, which means \"journey\" or \"path,\" testifies to the band's journey. Formed in 2006 by Ousmane Ag Mossa and Cheikh Ag Tiglia, both from Tinzawaten, near the Mali-Algeria border, Tamikrest emerged under the influence of Tinariwen, the legendary pioneers of Ishumar guitar music. They now form a confirmed quartet with guitarist Paul Salvagnac, who joined the band in 2012, and percussionist Cédric 'Momo' Maurel, who arrived a year later. Assikel marks a deliberate sonic turning point, and continues the exploration of exile, uprooting, and *assouf*, that untranslatable Tamasheq word encompassing nostalgia, longing, and homesickness. The music echoes the current situation in Mali, where a junta has been in power since 2021, political opposition is banned and the media muzzled, the UN peacekeeping mission withdrew in 2023, the south of the country is under Russian control, and the exhausted population daily suffers violence perpetrated by jihadists, Malian forces, and Russian paramilitaries. It is therefore not surprising that the eight tracks on Assikel are imbued with urgency and defiance, even if there are also many quieter and more introspective moments, characteristic of the band. The instrumentation blends electric and acoustic guitars, soaring lap steel, deep dub bass, hand percussion, calabash, and full drums. The tracks, meanwhile, oscillate between Ishumar rock and roll and hypnotic folk meditations, with Ousmane's voice and storytelling talent always at the forefront. In short, music that only Tamikrest can create. Twenty years later, Tamikrest's musical and cultural role seems more essential than ever. The refined and deeply atmospheric sound of Assikel accentuates the conviction and spiritual strength of Ousmane's songwriting and the band's wonderfully melodic arrangements, and reaffirms their position as one of the most important voices of the Kel Tamasheq. The last word goes to Ousmane, and his intervention may nuance the opinion of those who would be tempted to reduce Tamikrest to a simple group of spokespeople, and to musicians only. Certainly, politics and oppression are omnipresent, but as he points out with his usual gentleness and clarity: \"What motivates us today is what animated us at our beginnings: the love of music.\" Tamikrest is back after too long an absence, and their music resonates and vibrates louder than ever.","brand":"Tamikrest","offers":[{"title":"Default Title","offer_id":56870284788056,"sku":null,"price":20260515.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/4030433618417.jpg?v=1775682404"},{"product_id":"the-rapture_in-the-grace-of-your-love_2026_mdl","title":"In The Grace Of Your Love","description":"Initially released in 2011, In the Grace Of Your Love is The Rapture's last album with its original lineup. It represents a considerable turning point for the band, and a return to the DFA label, which had helped them produce their first album, Echoes, an instant classic. The momentum and success of the following years had drawn them into a downward spiral with the majors, only to bring them back to square one. Marked by these experiences, they were now free to push the boundaries of imagination. It was the late Philippe Zdar, a member of the French dance duo Cassius and producer for artists such as Phoenix and the Beastie Boys, who guided them on this journey. Zdar's enthusiasm and technical mastery are palpable from the first 30 seconds of the album: \"Sail Away\" is a five-minute outlet driven by disco rhythms, revealing a grandiose and radiant The Rapture. Of course, dance enthusiasts will find what they're looking for (\"How Deep Is Your Love\" still sets New York dancefloors ablaze, \"Miss You\" is an irresistible minor-key track) but the overall impression is one of slowing down, introspection, and a search for meaning and love. Hence the finale: \"It Takes Time To Be a Man\", a touchingly sincere piano song, which speaks of responsibility and mutual aid. It is unlike anything else in The Rapture's repertoire and yet, it concludes the album perfectly. The credits roll, time passes, and the music remains essential.","brand":"The Rapture","offers":[{"title":"Default Title","offer_id":56870307201368,"sku":null,"price":20260508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0829732000801.jpg?v=1775682431"},{"product_id":"karate_pockets_2026_mdl","title":"Pockets","description":"Karate's final and rebellious album concludes a twelve-year discography, oscillating between hardcore catharsis and feedback-drenched improvisation. This 2004 classic bypassed the Friendster wave for a return to songwriting basics, imbued with jazz phrasing and beat-inspired lyrics. Featuring guitarist Chris Brokaw (Codeine\/Come), Pockets is remastered from the original analog tapes and presented in a deluxe package with a lyric reproduction.","brand":"Karate","offers":[{"title":"Default Title","offer_id":56870307889496,"sku":null,"price":20260417.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0825764190817.jpg?v=1775682433"},{"product_id":"diiv_oshin-pochette-alternative_2026_mdl","title":"Oshin - Pochette Alternative","description":"DIIV's cult classic album, Oshin, is back with a completely redesigned cover! DIIV's debut fuses evocation and half-forgotten memory with brilliance, creating a musical universe where old and new intertwine. Songs that remind us of love in all its splendor, its perfections as well as its perversions. The very essence of DIIV was born from Zachary Cole Smith's creative process, who composed these early works in the heart of summer, secluded in a dark, un-air-conditioned corner of a painter's studio in Bushwick. He surrounded himself with tapes and vinyl, from artists such as Lucinda Williams, Arthur Russell, Faust, Nirvana, and Jandek, and writings by N. Scott Momaday, James Welsh, Hart Crane, Marianne Moore, and James Baldwin, and dreams of aliens, affection, spirits, and the distant natural world (as he imagined it from his window overlooking the Morgan L subway line). The resulting music is as cavernous as it is enveloping, inviting you to get lost in its twists and turns in an era dominated by short-form content and endless scrolling.","brand":"DIIV","offers":[{"title":"Default Title","offer_id":56870308970840,"sku":null,"price":20260522.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0817949215828.jpg?v=1775682442"},{"product_id":"ben-vida_oblivion-seekers_2026_mdl","title":"Oblivion Seekers","description":"To be attuned to the world as it is, is to be steeped in language. Speech resonates in nearly every space where humans are found, whether desired or not, mundane or profound. Words pile up on the page and echo in the ear, proliferating endlessly. This overabundance has long fascinated composer and musician Ben Vida, but in recent years, it has given rise to a new method of musical creation that simultaneously exalts and questions the primacy of language in our sonic and cultural environments. With gentleness and mischief, Vida deconstructs the hierarchy of language's meaning and sound until they coexist in an egalitarian harmony. Oblivion Seekers is Vida's latest album in this compositional mode, following his 2023 collaboration with contemporary music ensemble Yarn\/Wire, The Beat My Head Hit. Like its predecessor, this album focuses on coordinated, spoken duets, delivered in a neutral tone. The varying cadences of the words in motion create complex internal rhythmic structures. He is joined by the voices of Nina Dante, Christina Vantzou, John Also Bennett, and Félicia Atkinson, creating a singular sound that is neither theirs nor his, fluid in its expression of gender, accent, and diction. The instrumental compositions that form the album's backdrop have the natural flow of a dialogue, conversational yet understated, rarely a driver of change. Here too, Vida has enlisted an ensemble of accomplished musicians to accompany him: Dante on harp, Bennett on bass flute, Matt Bauder and Will Epstein on saxophones, Henry Fraser on bass, Cleek Schrey on violin, and Booker Stardrum on percussion. These elements form lattice-like structures through which the text weaves, often leaning on strong beats, but moving freely within each melodic phrase. A serene atmosphere emerges, enhanced by the restrained rhythm of the voices, giving the impression of music that unfolds like a long mantra without ever truly returning to its starting point. The effect is mesmerizing and captivating, suggesting repetition without ever repeating itself identically. The instrumentation varies on each of the album's four tracks; \"Be Yr Own Abyss\" is defined by the undulating counterpoint of saxophones, while the ambiguous chime of the vibraphone hovers over \"Oblivion Seekers\" and Fraser's powerful bass provides the album's only dramatic entry. The music metamorphoses to the ear, the text constantly redefining and recontextualizing the composition's form and movement, all while maintaining an aura of unearthly beauty. 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The album highlights De Augustine's powerful melodies and poignant lyrics, particularly through tracks like the haunting elegy \"Empty Shell,\" the hopeful \"Spirit of the Unknown,\" and the psychedelic country tune \"Mirror Mirror.\" The themes explored delve into the fragility of life, second chances, and rebuilding after an undiagnosed illness forced him to relearn everyday actions. Written, recorded, arranged, produced, and mixed by the artist in his A Secret Place studio in Southern California, this album marks his major comeback after years of collaborations. Featured artists include string arranger Oliver Hill (Kevin Morby, Helado Negro), harpist Leng Bian, backing vocalist and percussionist Wendy Fraser, producer Thomas Bartlett (who produced his album *Tomb*, as well as St. Vincent and Bebel Gilberto), and co-producer Jonathan Wilson (Angel Olsen, Father John Misty) on the track \"The Cure.\" The result is a powerful message of hope.","brand":"Angelo De Augustine","offers":[{"title":"Default Title","offer_id":56870317293912,"sku":null,"price":20260424.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0729920167333.jpg?v=1775682462"},{"product_id":"glissandro-70_g70-2-bones-of-dundasa-vinyle-180gr_2026_mdl","title":"G70 2: Bones Of Dundasa - Vinyle 180Gr","description":"Twenty years after their self-titled debut, Glissandro 70's second opus exists at the crossroads of album and archive. Composed of a decade of abandoned recordings, lost to a hard drive crash, retrieved as raw stereo mixes, re-evaluated with time, then restored, enhanced, and sublimated, they are finally seeing the light of day. Glissandro 70's mesmerizing mechanics are best understood through the dissonance of the two members' respective approaches as solo artists and bandleaders. Craig Dunsmuir, a true musical encyclopedia and Toronto record store owner for twenty years, leads the Dun-Dun Band, a group drawing inspiration from the world of three great rock names (Fela, Philip, and Pharaoh). Though inspired by math-rock, G70's tasty riffs, composed by Dunsmuir, don't seek to aestheticize complexity or bother the listener with the notion of 13\/8. The rhythm rather materializes as a simple component of the riff, sharing more with afrobeat, another source of inspiration for Dunsmuir. Sandro Perri, a true studio beast, could be Toronto's Caetano Veloso, creating expansive and luxuriant tracks of quixotic beauty, whose textural virtuosity and joy of repetition transform pop music into sound sculpture. Together, they complement each other wonderfully, and Glissandro 70 is also influenced by the convergence of their respective alternative electronic projects, Kanada 70 and Off World. On G70 2: Bones Of Dundasa, Dunsmuir plays the role of riff arbiter, while Perri takes on that of jester, destabilizing \"stubborn ostinatos\" with his characteristic textural tics, his mix, and his dub interventions. In 2016, Dunsmuir emailed Perri to suggest they meet for a drink. Perri told him it was a good idea, as he had something to announce. At the bar, Dunsmuir dropped a bombshell: those recordings they had been working on for the past few years… well, he had had doubts and wanted to shelve them. Perri then dropped another bombshell: he had accidentally deleted those same recordings during a computer update. Perri eventually found raw stereo mixes on another hard drive. When the lockdowns began, he started sifting through his old recordings, but it wasn't until 2024 that he listened to the mixes again. \"Time had sublimated them. So I thought to myself: maybe this is the time to try and make something of them.\" Dunsmuir was game, and the two set about preparing the material for release. The album opens on familiar ground with an expansive version of Arthur Russell's \"Lucky Cloud.\" Dunsmuir trades the dark atmosphere of the original for a vocal of poignant vulnerability, halfway between Rick White and Lou Barlow. Trombonist Peter Zummo, collaborator","brand":"Glissandro 70","offers":[{"title":"Default Title","offer_id":56870327353688,"sku":null,"price":20260501.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0666561019211.jpg?v=1775682474"},{"product_id":"alan-braufman_anthem-for-peace_2026_mdl","title":"Anthem For Peace","description":"Alto saxophonist and flutist Alan Braufman is a singular voice in the 1970s New York loft-jazz scene, with his debut album, *Valley of Search* (1975), which later became a landmark in spiritual jazz and free jazz. After decades of absence, Braufman made a triumphant return with the release of two highly acclaimed albums in 2020 and 2024, establishing him as a key figure and major player in the contemporary scene, long hailed as a \"free jazz legend.\" Recorded in a single day in the autumn of 2025, *Anthem for Peace* is an unreleased studio album that reveals Braufman in all his current splendor. Leading a quartet composed of vibraphonist Patricia Brennan, bassist Luke Stewart, and drummer Chad Taylor, he delivers concise and impactful compositions, fluidly oscillating between spiritual anthems, driving post-bop, and hypnotic themes with Eastern influences. Brennan's vibraphone, with its shimmering acoustic and sometimes electronically processed sounds, adds depth and color, while Stewart and Taylor form a rhythm section of exceptional cohesion and responsiveness. The result is optimistic, precise music driven by a decidedly forward-looking dynamic.","brand":"Alan Braufman","offers":[{"title":"Default Title","offer_id":56870327910744,"sku":null,"price":20260515.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0650384039310.jpg?v=1775682481"},{"product_id":"multi-artistes_xkatedral-anthology-series-iii_2026_mdl","title":"Xkatedral Anthology Series Iii","description":"XKatedral Anthology Series III is the third volume in a series of archival reissues dedicated to the music of composers exploring slowly evolving sounds and timbres. The pieces presented here emphasize the use of synthetic and acoustic sounds, as well as algorithmic composition, as tools for precise spectral exploration. This double vinyl, released to celebrate the label's tenth anniversary, compiles works from 2014 to 2025. Its release accompanies the reissues of XKatedral Anthology Series I and II. Kali Malone's \"My Falling Sinks\" is a stripped-down descending melody for organ, cello, and acoustic guitar, featuring Lucy Railton and Stephen O'Malley. This piece is a compositional sketch in septimal just intonation, created on an experimentally tuned organ at the Temple de La Tour-de-Peilz during a residency at La Becque in 2021. Maria W Horn's \"Empyrean Flare\" was composed in 2022 for choreographer Stina Nyberg's The Dawn Chorus. This piece uses Arvo Pärt's Tintinnabuli technique to animate four supersaw oscillators in slow diatonic arpeggios, revolving around a minor tonic chord. The harmonic structure is destabilized by glissandi and amplified by analog tape saturation. David Granström's \"Tessellation\" was composed using generative synthesis methods during the summer of 2017. The musical periodicity and harmonic movement of the piece emerge from fixed synthesized tape loops, exploring a space that opens between antithetical worlds. \"To Whoever Shall Inherit the Earth\" is Jessica Ekomane's first solo work, born, according to the composer, almost by chance. Recorded late at night about ten years ago, it captures a fleeting, fragile, and unique moment, preserved identically. Stephen O'Malley's \"Smoking Mother\" was created for Gisèle Vienne's Der Teich \/ L’Etang, staged by Robert Walser. Composed during a residency at the SMEM synthesis archives in Fribourg in 2018, it was produced at the EMS in August 2020. This piece draws inspiration from the works of Zia Mohuiddin Dagar, Krzysztof Penderecki, and Popol Vuh, while exploring the roots of minimalism. Mats Erlandsson's \"Att böja själarna\" was composed in 2018 and is featured in On Eternity, a collection of four texts and four ten-minute loops on cassette, released as a limited edition collector's box set in 2021 by Irrlicht Förlag. This work is performed by Gaianeh Pilossian on violin and Sara Fors on vocals. \"This will be my last piece for organ\" was composed by Theodor Kentros in 2025. This piece uses groups of interconnected oscillators via feedback to synthesize the fluctuating frequencies perceived to propagate in physical space when an organ is detuned. \"Fault Lines\" was composed by Daniel M. Karlsson using generative methods, with a res","brand":"Multi-artistes","offers":[{"title":"Default Title","offer_id":56870328893784,"sku":null,"price":20260522.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0647581409114.jpg?v=1775682490"},{"product_id":"father-john-misty_pure-comedy_2026_mdl","title":"Pure Comedy","description":"Pure Comedy, Father John Misty’s third album, is a complex, often sarcastic, and equally often touching meditation on the bewildering madness of modern humanity. Father John Misty is the project of singer-songwriter Josh Tillman. While much could be said about Pure Comedy (notably that it is a bold and important album in the vein of great American songwriters such as Harry Nilsson, Randy Newman, and Leonard Cohen), we believe it’s best to let its creator describe it himself. The floor is yours, Mr. Tillman: “Pure Comedy is the story of a species born with a half-formed brain. Its only hope for survival, as it finds itself on a cruel and unpredictable rock, surrounded by other species that seem much more at ease in this domain (and for whom they are a delight), lies in its reliance on other, slightly older, and also half-formed brains. This reliance takes on different names throughout their history, such as \"love\", \"culture\", \"family\", etc. Over time, and as their brain proves remarkably adept at inventing meaning where there is none, the species falls prey to increasingly bizarre and sophisticated ironies. These ironies are designed to help them endure their hateful vulnerability and to try to reconcile the gap between their imagination and the monotony of their existence.” The album Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, California. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s long-time sound engineer Trevor Spencer, and orchestral arrangements by renowned composer and double bassist Gavin Bryars (known for his significant solo work and collaborations with Brian Eno, Tom Waits, and Derek Bailey).","brand":"Father John Misty","offers":[{"title":"Default Title","offer_id":56870330597720,"sku":null,"price":20260515.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0098787120011.jpg?v=1775682515"},{"product_id":"death-of-lovers_the-acrobat_2026_mdl","title":"The Acrobat","description":"Since the 2014 release of Philadelphia band Death of Lovers' acclaimed debut EP, *Buried Under a World of Roses*, many wondered if a full-length album would follow, especially given the extensive touring by Nothing, Domenic, Nick, and Kyle's other band. *The Acrobat* embodies Death of Lovers' new vision and direction. 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