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Meanwhile bassist Jill Emery went on to play with such divergent groups as Hole and Mazzy Star, and drummer Steven Darrow played in pre-Guns N' Roses group Hollywood Rose with Axl Rose and Izzy Stradlin. All of this is to show that the band had a huge mark of the LA scene, not to imply they are just a footnote. This, their first album was originally released in 1982, and is undoubtedly one of the finest examples of the LA death rock scene. 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The whole is carried by Philippe's characteristic voice, which evokes a vivid and melancholic emotion, much like the bass or guitar, and intertwined with Schago's (Dageist's voice) hushed background vocals. True to its musical signature, Dageist chose to complete this CD \"The Abyss Of Years\" with 3 other terribly effective compositions, oscillating between cold, dark, and new wave.","brand":"Dageist","offers":[{"title":"Default Title","offer_id":55310090502488,"sku":null,"price":20230421.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/3760347747057.jpg?v=1765824035"},{"product_id":"kraum_dorf-vinyl_2024_lad","title":"DORF (vinyl)","description":"Geneva's post-punk phenomenon, Kraum, returns with their explosive debut album! Having captivated audiences with their raw energy and uncompromising sound through two singles released over the past six months, Kraum is back, ready to rattle your old bones with their highly anticipated debut album, 'Dorf,' set for release on Les Disques Magnétiques on June 21st. In just one year, Geneva's dynamic duo, Fabio and Alexey, have undeniably made their mark on the Genevan music scene. Embracing a DIY ethic and an uncompromising attitude, Kraum explores themes such as human-machine relationships, the absurdity of the contemporary world, and the deterioration of human connections with unapologetic fervour. Drawing inspiration from iconic bands like Kino, Joy Division, and Grauzone, as well as contemporary artists such as Molchat Doma and Noir Boy George, Kraum creates a sonic universe that transcends temporal boundaries. 'Dorf' promises a visceral journey through cold, austere landscapes, pulsating rhythms, and haunting melodies that linger long after the music stops. From the mysterious allure of 'Maskin' to the unsettling beauty of 'Raumn' or the powerful hyperpop vibe of 'Radio Moscou,' the project presents a myriad of moods and emotions, all packed with the same free spirit. With tracks sung in a mix of Swedish, Russian, and French, Kraum's music captures the essence of existential angst and punk emotion, resonating with audiences eager for authenticity and raw emotion. 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For the first time in my career as a label manager, I decided to pay tribute to this cruel loss by forming a fake band, mostly comprising musicians not accustomed to Coil's music, and to create 'classic' versions of their songs. 2008: I met P Christopherson at the Sonic Villette festival and gave him a burned disc with the first tracks of This Immortal Coil. Two weeks later, I received an email from him saying, 'It is the first time somebody with musical sensibility and talent has put so much time and effort into covering Coil songs. It totally passes my hairs on the back of your neck standing up!' What more could I have hoped for? The rest would be a bonus... 2009: This Immortal Coil 'The Dark Age Of Love' was released, featuring a supergroup including Y Naim, B Prince Billy, M Elliott, Y Tiersen, DAAU, C Ott, Oktopus from Dälek, S Chauveau... 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Magnificent, dark, powerful. The spirit of Coil was still alive! Should I reconsider my decision to only make one album? I didn't like the idea of capitalizing on the growing popularity of this band, which will forever remain one of the greatest in my eyes. The 'Orchard' project was expertly mixed by D Chalmin; he was delighted to mix 'Where are you' and encouraged me to continue. 2018: David introduced me to M Pupillo (Zü) to discuss the release of his collaborative project with Thighpaulsandra - Uruk - on our Mind Travels Series division. Massimo is a great admirer of Coil and told me how highly he thought of This Immortal Coil. Thighpaulsandra told me that P Christopherson used to play This Immortal Coil in venues before his concerts, which touched me deeply. 2020: Lockdown. I was living in a small cabin in my orchard. On a scorching Sunday, confined in the dark to preserve some coolness, I listened to the Orchard version of 'Where are you' on repeat; this track haunted me. I made a selection of Coil tracks in the afternoon. I chose the first artists who could participate. I sent the tracklisting to D Chalmin to discuss it; he was very enthusiastic. At the same time, I found Coil's watch 'The World Ended A Long Time Ago' in a box after my move. The message was clear... Here we go again! Only fools don't change their minds, as they say. M Pupillo took charge of recording and selecting musicians for certain tracks, including the actor Márton Csókás, a great admirer of Coil, and to my pleasant surprise, he informed me that the band Ulver would be very happy to participate. This new album will be international and plural, like the first one. This time, This Immortal Coil will be composed of Coil enthusiasts, but I will ensure that it is not done with 'transient' respect, as that would be antithetical to Coil's image. 06-2022: The album was finally mixed by D Chalmin; the second opus of This Immortal Coil 'The World Ended A Long Time Ago' was finalized. It was another long project, but like the first, I am very proud of it. I think John and Peter would be too.","brand":"This Immortal Coil","offers":[{"title":"Default Title","offer_id":55310258536792,"sku":null,"price":20221209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/3521381573169_e5fe4312-e17a-4d50-b191-f4ef7a07ab20.jpg?v=1760318330"},{"product_id":"this-immortal-coil_the-world-ended-a-long-time-ago-2-vinyls_2022_lad","title":"THE WORLD ENDED A LONG TIME AGO (2 vinyls)","description":"11-2004: John Balance permanently left our planet, bringing a definitive end to Coil. I was shaken by this news, saddened by the passing of a man I admired and the end of a unique band I loved above all else. For the first time in my career as a label manager, I decided to pay tribute to this cruel loss by forming a fake band, mostly comprising musicians not accustomed to Coil's music, and to create 'classic' versions of their songs. 2008: I met P Christopherson at the Sonic Villette festival and gave him a burned disc with the first tracks of This Immortal Coil. Two weeks later, I received an email from him saying, 'It is the first time somebody with musical sensibility and talent has put so much time and effort into covering Coil songs. It totally passes my hairs on the back of your neck standing up!' What more could I have hoped for? The rest would be a bonus... 2009: This Immortal Coil 'The Dark Age Of Love' was released, featuring a supergroup including Y Naim, B Prince Billy, M Elliott, Y Tiersen, DAAU, C Ott, Oktopus from Dälek, S Chauveau... P Christopherson wrote, 'The Most extra-ordinary, beautiful and moving re-interpretations of Coil I have ever heard!' 11-2010: A fateful month! P Christopherson died in his sleep. It was a shock to me, an immeasurable loss. Should I pay tribute to him in turn? I had done so during his lifetime; the question haunted me, but the sadness was so strong, I didn't feel I had the courage. 2011: M Elliott recorded 'The Broken Man'. On that occasion, I met D Chalmin and his partner K Labèque; both told me they wished they had worked on This Immortal Coil. David would become a valuable partner for the Ici,d'ailleurs label. 2017: I brought together four kindred musicians, A Baker, G Claus, F Laurino, and M Tisserand, for an ambient project named 'Orchard'. We discussed various bands, and Coil naturally came up; we talked about 'Where are you' for its rhythm. Against all odds, we had a free morning for recording. I called M Elliott, and the track 'Where are you' was in the can. Magnificent, dark, powerful. The spirit of Coil was still alive! Should I reconsider my decision to only make one album? I didn't like the idea of capitalizing on the growing popularity of this band, which will forever remain one of the greatest in my eyes. The 'Orchard' project was expertly mixed by D Chalmin; he was delighted to mix 'Where are you' and encouraged me to continue. 2018: David introduced me to M Pupillo (Zü) to discuss the release of his collaborative project with Thighpaulsandra - Uruk - on our Mind Travels Series division. Massimo is a great admirer of Coil and told me how highly he thought of This Immortal Coil. Thighpaulsandra told me that P Christopherson used to play This Immortal Coil in venues before his concerts, which touched me deeply. 2020: Lockdown. I was living in a small cabin in my orchard. On a scorching Sunday, confined in the dark to preserve some coolness, I listened to the Orchard version of 'Where are you' on repeat; this track haunted me. I made a selection of Coil tracks in the afternoon. I chose the first artists who could participate. I sent the tracklisting to D Chalmin to discuss it; he was very enthusiastic. At the same time, I found Coil's watch 'The World Ended A Long Time Ago' in a box after my move. The message was clear... Here we go again! Only fools don't change their minds, as they say. M Pupillo took charge of recording and selecting musicians for certain tracks, including the actor Márton Csókás, a great admirer of Coil, and to my pleasant surprise, he informed me that the band Ulver would be very happy to participate. This new album will be international and plural, like the first one. This time, This Immortal Coil will be composed of Coil enthusiasts, but I will ensure that it is not done with 'transient' respect, as that would be antithetical to Coil's image. 06-2022: The album was finally mixed by D Chalmin; the second opus of This Immortal Coil 'The World Ended A Long Time Ago' was finalized. It was another long project, but like the first, I am very proud of it. I think John and Peter would be too.","brand":"This Immortal Coil","offers":[{"title":"Default Title","offer_id":55310258798936,"sku":null,"price":20221209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/3521381573015_201ecfcf-7e12-451e-8d49-8532d4dd242a.jpg?v=1760318323"},{"product_id":"vox-low_relecture-vinyl_2020_lad","title":"RELECTURE (vinyl)","description":"A re-reading of one of the most striking French electronic albums of 2019 by some of the current scene's finest, including Pilooski and Tolouse Low Trax.The story of Vox Low is that of those Parisian disco and punk fans who tried their luck, under the name of Think Twice, during the hysterical period of the Parisian French Touch in the early 2000s. This movement, which was sold to us at the time as an unprecedented musical revolution in the land of baguette and sausage, turned out to be nothing more than a bling-bling scam worthy of Rocancourt: whatever you do, in the end, it's always the bourgeois who come out on top. Despite solid backgrounds, Think Twice's music didn't find an echo at the time. In 2018, times have changed: who still wants to have fun? Jacques Chirac is losing his mind, bedridden in a private mansion in the 6th arrondissement of Paris behind heavy velvet curtains, the Daft Punk hide their baldness under motorcycle helmets and everyone now listens to music via Bluetooth with a monthly digital subscription. No more hedonistic right-wing disco, put away your Donna Summer records - no longer in the mood for that - and take out Eliphas Levi's big black book: Can, The Fall or Genesis from the Peter Gabriel era. It's time for punk urgency, depressive and skeletal Krautrock and great shamanic hypnosis. It is now under the name of Vox Low that this gang of black jackets from Porte de St Ouen officiates.PILOOSKI:DJ and composer, Pilooski became known through his edits (notably Franky Valli's Beggin'), the DIRTY compilations, his electro group Discodeine, his productions for Tristesse Contemporaine, Perez or Hypnolove as well as his collaborations with Jarvis Cocker or Baxter Dury.TOLOUSE LOW TRAX:The ethos of Tolouse Low Trax aka Detlef Weinrich stands out in his numerous releases on labels such as Idle Press, Infiné, Karaoke Kalk, Kunstkopf, Neubau, Themes For Great Cities, Antinote or Cómeme. The German producer is no newcomer to the scene: still an active member of Kreidler and Toresch, he is the man behind the famous Salon des Amateurs in Düsseldorf. His productions as Tolouse Low Trax explore afro-baroque elegance through obscure arpeggios leading to a slow and hypnotic liberation.ABSCHAUM:Since 2010, the French trio Abschaum, led by Chris Poincelot, has been navigating wild territories. As if to better release the subtle tension of their music: a definitively krautrock heritage mixed, intertwined, kneaded with the influences of an enraged Alan Vega. Because this heritage, its context, its aesthetics are not insignificant. Hypnotic, synthetic loops, saturated riffs and dark vocals, Abschaum, \"vermin\" in German, has rocked its ears to the sounds of Spacemen 3, Ash Ra Tempel and Can.ORESTT:Boss of the Evrlst.inc label and the famous Nice record store of the same name, Orestt is also an eminent and rare producer.A handful of maxis have been released under his name, notably on I'm A Cliché, Cosmo Vitelli's label.He is here for his first \"remix\" in the same vein as his productions: synthetic, dark and hypnotic.« INCANTATORY KRAUTROCK. » --- LES INROCKS ---« A MASS OF NEW WAVE AND ROCK! » --- CULTUREBOX ---« The rhythm is stubborn, it bangs its head against the wall of sound, in an incantatory krautrock, in a mechanical new-wave: normal, Ivan Smagghe is producing. Survivors of the group Think Twice and its furious pile-up of house, hip-hop and rock, the duo Vox Low continues to gallop, like James Murphy, on the borders between these different factions of music to dance to in the cold room or the straitjacket. 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Grey clouds were beginning to form and in the unlikely city of Hamburg, a sassy and haunting gang of five women formed Xmal Deutschland. Like any true punk would, Xmal Deutschland members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe founded the band despite any prior musical experience. The “Schwarze Welt” Seven-Inch was released on local punk label ZickZack in 1981 and introduced the band as a troubling swarm of intensity. There is an urgency to its repetitive chant, a swirling mania that persists on the B-side with “Die Wolken” and “Großstadtindianer” whose raw synth noises build in tension. Above all, Huwe’s uniquely venomous German vocal quickly embedded itself into the unrestrained, nascent scene of glamorous gloom. Punk’s independence from the rigid grasp of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacock hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both an unease and a delicacy, transcending any boundaries of the “Neue Deutsche Welle” movement (much like compatriots and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar buzzes throughout the melody as the macabre and primitive side of Huwe’s vocal hints that perhaps, just perhaps, she is the nightmarish creature to be aware of. The B-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” maintain strict militaristic dance rhythms as they seethe with unrest. The same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of ripped fishnet masses. Early Singles (1981-1982) is a map of Xmal Deutschland’s formative moves, only seconds before liftoff. The compilation’s bonus tracks, “Kaellbermarsch” and a live version of “Allein,” further accentuate their fusion of robustness with the chimerical decadence of atmospheric synths. 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