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Relying exclusively on original sources, Mirko Volpe and Silvia Kuro conduct their research by personally consulting the manuscripts containing the texts whose melodies, often transmitted orally, have fallen into oblivion, as is often the case for popular music.Murmur Mori is an Italian medieval music ensemble founded by Mirko Volpe and Silvia Kuro, two researchers and musicians living a bohemian life, far from the city, in an old house in a small remote village in the Piedmontese Alps, in northern Italy.","brand":"Murmur Mori","offers":[{"title":"Default Title","offer_id":57489914298712,"sku":null,"price":20260508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/0803173274427.jpg?v=1781197577"},{"product_id":"cupertinos_garro-missa-o-quam-pulchra-es-cantate-domino_2026_uni","title":"Garro: Missa O quam pulchra es \u0026 Cantate Domino","description":"The Cupertinos ensemble opens a new chapter in its pioneering exploration of the hidden treasures of Portuguese Renaissance polyphony. 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Through a rich repertoire of French songs and Italian dances, this album emphasizes the influence of orality and improvisation. 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She grew up at the musically influential Este court in Ferrara and entered the convent of San Vito at the age of 14, where she continued her musical education. Later, she became the director of the San Vito convent near her hometown of Ferrara and composed into old age, admired among others by Duke Alfonso d'Este, Pope Clement VIII, and Archduchess Margaret of Austria. Her madrigals, the first of which she wrote at the age of 16, are considered a well-hidden musical gem. With their polyphonic refinement and emotional depth, they testify to her innovative compositional style.The new album by the vocal ensemble Cantus Thuringia, with harpsichordist Bernhard Klapprott, brings Aleotti's exquisite madrigals to life. This recording not only highlights the artist's remarkable talent but also her significant contribution to Renaissance music. 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Recorded during their 2023 European tour, the ensemble added four wind instrumentalists to their usual singers and, above all, invited Portuguese composer and guitarist Manuel Mota, who offers intriguing soundscapes that blend perfectly with the spectacular singing. Bjorn Schmelzer: \"This Mass was an unprecedented work for its time, totally incomparable to what was being composed then.\" In the booklet essay, Schmelzer highlights the similarities between Brumel's composition and Pieter Bruegel's drawing The Resurrection of Christ, thus offering a fascinating new approach to one of the most remarkable and crucial musical creations of the Renaissance.","brand":"Graindelavoix","offers":[{"title":"Default Title","offer_id":57531393114456,"sku":null,"price":20240315.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/8424562321182.jpg?v=1782432629"},{"product_id":"houria-aichi_chants-courtois-de-laures_2023_disco-virgin-music-group","title":"Chants Courtois de l'Aurès","description":"The poetic treasures of the Aurès unveiled by Houria Aïchi!Five years after her album Chants mystiques d’Algérie, Houria Aïchi resumes her exploration of the little-known heritage of Algeria's musical traditions. Still using the tools of her first profession, sociology, to guide her collection from collective memory, she continues the noble project of bringing to light the endangered culture of the Aurès. Chants courtois de l’Aurès unveils ten songs of men's love for women, whose singularity lies in being explicit. This is not about an ethereal ideal of a symbolic woman loved like the dew dreaming of the flower, but about Zina, Fatma, Louisa, Dalila, women of flesh and life. These songs express the jubilation of feeling, desire, and the attraction of bodies. Certainly, one hears the pain of absence, but this is not a poetry of unhappy loves: this repertoire is joyful, does not hold its head in its hands to weep. 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The musicians combine enchanting singing with the warm sounds of the traverso, the viola da gamba, and the baroque guitar to paint a poetic and powerful portrait of this ancestral heritage.","brand":"Diana Baroni","offers":[{"title":"Default Title","offer_id":57541368873304,"sku":null,"price":20230303.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/4943\/0360\/files\/5051083186537.jpg?v=1782434159"},{"product_id":"ourania-lampropoulou_marreter-ici-esquisses-dasie-mineure_2023_disco-virgin-music-group","title":"\"M'arrêter ici...\" (Esquisses d'Asie Mineure)","description":"Suggéré par le grand poète grec Constantin Cavafis, \"M'arrêter ici...\" nous parle de ces communautés d'Asie Mineure poussées par un désir d'ailleurs ou ballotées par l'histoire, en quête d'un lieu où mettre un terme à leur errance. Pour cette rencontre, Dominique Vellard et Ourania Lampropoulou ont visé l'Orient, et se sont inspirés de l'incroyable diversité culturelle de la ville de Smyrne à la fin du XIXe siècle. Au santouri et au oud, ils s'appuient sur les répertoires grecs, séfarades et ottomans anciens, mêlant improvisations et chants traditionnels. 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C’est un manuscrit richement enluminé réalisé dans la seconde moitié du XIIIème siècle. En plus de la Messe en chant grégorien, il contient tout un répertoire propre: séquences, proses, lectures et trois pièces polyphoniques à deux voix tout à fait représentatives du style vocal de l’époque. 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Connu dans le monde entier pour son programme inventif, notamment de chefs-d’oeuvre inconnus, l’Ensemble Huelgas est l’un des plus célèbres ensembles spécialisés dans l’interprétation de la musique polyphonique des périodes médiévale et de la Renaissance.24 photos de paysages sélectionnés et des images de cathédrales franco-flamandes et de leurs environs transportent le public dans le monde des terres franco flamandes de la Renaissance, tandis que l’Ensemble Huelgas interprète les oeuvres de compositeurs exceptionnels tels qu’Antoine Busnois, Nicholas Gombert, Josquin Desprez. 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The Ensemble calls upon the best current European instrumentalists and offers programs centered around the repertoire of early Italian baroque, in collaboration with exceptional soloists from both the learned baroque music and traditional music or other genres, such as jazz or other forms of artistic expression like dance or theater. The artistic work of the Ensemble is now universally recognized and praised. Since its inception in 2000, L'Arpeggiata has aimed to explore the rich music of the little-known repertoire of Roman, Neapolitan, French, and Spanish composers of the early baroque. This credo is expressed in a new vocal approach through work on the interpretation of recitar cantando, as well as singing deeply influenced by traditional music. The ensemble has set as its guiding principles instrumental improvisation, research on the instrumentarium by exploiting its richness in the purest baroque tradition, the search for authentic vocality in traditional music, and the creation and staging of \"event\" performances. Its recordings have received unanimous acclaim from the public and the press: the first, \"La Villanella,\" dedicated to the music of Girolamo Kapsberger, was named \"event of the month\" in \"Répertoire des disques\" in September 2001 and received the \"Premio Internazionale del disco per la musica italiana.\" The second album \"Homo fugit velut umbra\" dedicated to the music of Stefano Landi was also highly praised by the press: \"10 de Répertoire,\" \"Diapason Découverte,\" \"CD of the week\" on the BBC, \"CD of the month\" in \"Amadeus\" (Italy), \"Prix Exellentia\" from Pizzicato (Luxembourg). 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This work is universally and consistently praised by critics and the public, as shown not only by the extensive discography but also by the numerous awards and television recordings made for the channels Arte and Mezzo, including in 2005 part of a documentary on Charpentier, in 2006 a documentary on the work of the ensemble, Rencontres Improbables, which is offered by Naïve with the CD Los Impossibles and others to follow. Thanks to its growing reputation, L'Arpeggiata has successfully performed since its creation at the largest festivals in Europe, such as the Sablé sur Sarthe Baroque Music Festival, Utrecht Oude Muziek, Antwerp Festival of Flanders, Rencontres à Vézelay, Arques la Bataille, Namur, Pfingstfestspiele Melk, Brugge Concertgebouw, Ambronay Abbey Festival, Pontoise Baroque Music Festival, Saint Petersburg Early Music Festival, Bordeaux Theater, Sully-sur-Loire Festival, Haut Jura Festival, Vézère Festival, Darocca Early Music Festival, Torroella de Montgri Festival, Atlantic Azores Festival, Krems, Potsdam, Barcelona...; it is also invited worldwide. In 2006, 2007, and 2008, the ensemble was heard on a tour of over one hundred fifty dates in prestigious festivals and venues: in England, Switzerland, Israel, Austria, Belgium, Italy, Spain, Hong Kong, Australia. In 2008, L'Arpeggiata began a new collaboration with EMI\/Classics for the release of an album around Monteverdi ('Teatro d'Amore', January 2009) with Philippe Jaroussky, Nuria Rial, Cyril Auvity, and other talented solo singers, followed by the album 'Via Crucis' with the Corsican vocal quartet Barbara Furtuna around the religious theme of the Passion. 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